>Wise words, and the most sanity ive read in a while..._________________________________________________________________
>
>Thomas Davidson <tom.davidson@...> wrote:Hang on a minute -
>
>The 'way' of the samurai was, traditionally, 'kyuba no michi' The Way of
>the Bow and the
>Horse - the archetypical and classical samurai image is that of the mounted
>bowman.
>Swordsmanship throughout this eras was rudimentary.
>
>The image of the samurai bowman was later eclipsed by the image of the
>samurai
>spearman, the spear being regarded as 'the' battlefield weapon up to and
>through the
>Sengoku, until eclipsed by firearms.
>
>The sword never played a significant part of the samurai psyche until the
>Edo period and
>later, when it came to symbolise the 'martial way' for what was by majority
>a bureaucracy.
>Swords then began to attain a 'value' out of all proportion to that of the
>past.
>
>I regard 'the sword as the soul of the samurai' as a concept of recent
>history.
>
>Samurai were not necessarily martial artists.
>
>Martial artists were not necessarily samurai.
>
>To assume so is to assume that all settlers in the American West were
>gunslingers.
>
>The 'best' samurai will remain forever anonymous - discreet and efficient
>in the service of
>his master (samurai is from the verb 'to serve') - it's quite possible he
>never saw a
>battlefield, never even drew his sword in anger.
>
>Thomas
> Aw, c'mon guys -This all may very well be true. But this is the "samurai history list," which
>
> Thanks for the compliments, but I think what I said is generally in
> line with this forum. There are others here far more qualified.
>
> What I would say however, is as soon as we start talking about
> 'the soul of the samurai' or 'the way of bushido' then we are
> talking about something that is absent, such terms belong to the
> notions of 'the good ol days' or 'the golden age of' and invariably
> romanticises the reality.
>
> "People in the old days would talk when they had something to
> say, and would not say unnecessary things..."
> Arai Hakuseki "My Father" (from "Legends of the Samurai')
>
> Aw, c'mon guys -This all may very well be true. But this is the "samurai history list,"
>
> Thanks for the compliments, but I think what I said is generally in
> line with this forum. There are others here far more qualified.
>
> What I would say however, is as soon as we start talking about
> 'the soul of the samurai' or 'the way of bushido' then we are
> talking about something that is absent, such terms belong to the
> notions of 'the good ol days' or 'the golden age of' and invariably
> romanticises the reality.
>
> "People in the old days would talk when they had something to
> say, and would not say unnecessary things..."
> Arai Hakuseki "My Father" (from "Legends of the Samurai')
>
> Back in the earlier thread, we were discussing the qualities of a "good"THE RAIN
> samurai. Some people, including myself, brought up two films, AFTER
> and SEPPUKU. I remember discussing one of the characters in SEPPUKUwho had
> pawned his sword blades in order to try and feed his family.According to
> some historical accounts I've read, this seemed to have happened ratherTo which historical accounts are you referring? Written when? In
> frequently during the Edo period, with impoverished ronin and sometimes
> low-ranked (low-paid) clan samurai pawning their sword blades, replacing
> them with bamboo.
>samurai's sword
> So with the statement cited below: can it be inferred that a
> -- and keeping it -- would be more important to a samurai's honor thanfamily
> feeding his family? That it was considered better if the samurai's
> were to starve to death rather than for the samurai to ever partwith his
> sword? And thus a samurai who sells his sword blades, even to keep hisAnother thing to keep in mind is that the stories that come down to us
> family alive, is acting dishonorably?
>
> Nina
>"good"
> Hello,
>
> I have been absent from the list for at least a year, but have decided
> to see what's what here (albeit from a new email address).
>
> I wanted to comment on the premise of Ms. Boal's questions.
>
> --- In samuraihistory@yahoogroups.com, "Boal, Nina"
> wrote:
>
>
>
> > Back in the earlier thread, we were discussing the qualities of a
> > samurai. Some people, including myself, brought up two films, AFTERrather
> THE RAIN
> > and SEPPUKU. I remember discussing one of the characters in SEPPUKU
> who had
> > pawned his sword blades in order to try and feed his family.
> According to
> > some historical accounts I've read, this seemed to have happened
> > frequently during the Edo period, with impoverished ronin andsometimes
> > low-ranked (low-paid) clan samurai pawning their sword blades,replacing
> > them with bamboo.
>
> To which historical accounts are you referring? Written when? In
> Japanese or English? For a popular or academic audience? Peer
> reviewed (as in university and other scholarly presses)?
> All of these (and many more) are the first questions one normally
> would ask about sources quoted in support of any statement or
> hypothesis. Without some idea of the sources that you are using, a
> statement such as 'some historical accounts I've read' has an
> indeterminate authority and leaves me (and I suspect others) curious
> as to the accuracy that we can expect from the sources.
>
> The next thing that I would point out is that these are just movies.
> While I like Kurosawa and Tokugawa-set period pieces, I don't beleive
> anyone would put much faith in their historical accuracy. That is not
> to say that the things that movies depict are necessarily untrue, but
> simply that they can't be relied upon as historical documents in the
> same way that contemporaneous materials can.
>
> >
> > So with the statement cited below: can it be inferred that a
> samurai's sword
> > -- and keeping it -- would be more important to a samurai's honor than
> > feeding his family? That it was considered better if the samurai's
> family
> > were to starve to death rather than for the samurai to ever part
> with his
> > sword? And thus a samurai who sells his sword blades, even to keep his
> > family alive, is acting dishonorably?
> >
> > Nina
>
> Another thing to keep in mind is that the stories that come down to us
> throug history and are popularized in books that treat the samurai
> and the concept of honor (among other things), often uncritically
> choose those stories/anecdotes/legends that support the picture of the
> samurai that they are trying to paint and do a poor job at addressing
> alternative interpretations of the sources that do exist. I believe
> that most of us have probably heard that a samurai's topknot was,
> similar to the sword, sacrosanct as a badge of the privileged class to
> which he belonged. If memory serves, Kurosawa in 7 Samurai, has one
> of the main characters cut hit hair to impersonate a priest in order
> to achieve a solution to the hostage stalemate. Who to believe, the
> popular history books or Kurosawa...or are both depictions accurate.
>
> I have been reading and trying to get caught up with the threads that
> I have missed during the last year or so, that I have been absent from
> the list and am enjoying the variety of topics that have come up.
> Some of the recent threads in particular have piqued my curiosity, but
> it seems reasonable for us to analyze the assumptions behind some of
> the questions that we are asking and to be as clear as possible about
> the sources that we use so that everyone has an idea as to the
> relative accuracy and authority of the information.
>
> Granted that many times we don't have our references to hand when we
> are inspired to post, but even in those cases it might be nice to
> follow up including the citations in a later post in the thread.
>
> -Shannon
>
> Why would youBecause film is inherently about entertainment, and
> doubt that a film
> maker has spent years of research in order to
> present his film in the
> most accurate possible light?
> Why would youBecause film is inherently about entertainment, and
> doubt that a film
> maker has spent years of research in order to
> present his film in the
> most accurate possible light?
> therefore ticket sales, not about accuracySome films are, some film makers only care about the next buck. Not
> Because film is inherently about entertainment, and
> therefore ticket sales, not about accuracy. Even
> Kurosawa doesn't try to do everything
> "accurately"--his depiction of Nagashino in
> "Kagemusha" is nowhere near accurate. It's all for
> dramatic effect, though, which suits his purpose. Is
> that morally wrong? No. However, we should recognize
> fiction for fiction, and not place too much faith in
> its historical accuracy.
>
>
>
> __________________________________
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>
> wrong withUm, nothing. And nothing I said indicated such.
> entertainment if it gives you a stepping stone into
> learning more?
> And how does something that inspires an interest,Fiction is fiction. It may be good, inspiring fiction,
> like a good film
> does, automatically become suspect?
> know (and I meanThat's why you read multiple sources and compare them.
> KNOW, without any doubt) that the historical things
> you read are
> accurate and truthful and not slanted to suit the
> political agenda of
> the writer.
> finally, since weAGAIN, I'm not turning my nose up at all films. And
> are all capable of telling the difference between a
> film made for pure
> entertainment and one made with loftier ideals,
> isn't turning your
> nose up at all films a bit pointless?
> Whether Kurosawa used poetic licence or not in orderI SPECIFICALLY said that he did that to suit his
> to make a more
> entertaining film, who on earth cares?
> aware that he was aKnock off the condescending attitude. Nowhere did I
> documentary maker who had sworn a blood oath to only
> depict all the
> truths that anyone ever wrote about the latter days
> of Takeda Shingen.
> concerned that weWell, there certainly are a lot of people who justify
> are gullible enough to believe that a film is equal
> to the truth?
> If I couldn't tell the difference I'd need locking
> up.
> this, just because films are not a reliable source,True, history books have flaws, and no, we can't know
> doesn't mean that
> every history book IS, and you can't know anyway,
> because you weren't
> there, and those that were there won't necessarily
> write everything as
> it happened if it doesn't suit their purpose.
> Saying, in effect, filmNot as insulting as your willfully ignoring what I
> =lies and half truths, history book = 100% correct
> is still daft.
> Assuming that I believe every film I see to be a
> documentary is insulting.
> wrong withUm, nothing. And nothing I said indicated such.
> entertainment if it gives you a stepping stone into
> learning more?
> And how does something that inspires an interest,Fiction is fiction. It may be good, inspiring fiction,
> like a good film
> does, automatically become suspect?
> know (and I meanThat's why you read multiple sources and compare them.
> KNOW, without any doubt) that the historical things
> you read are
> accurate and truthful and not slanted to suit the
> political agenda of
> the writer.
> finally, since weAGAIN, I'm not turning my nose up at all films. And
> are all capable of telling the difference between a
> film made for pure
> entertainment and one made with loftier ideals,
> isn't turning your
> nose up at all films a bit pointless?
> Whether Kurosawa used poetic licence or not in orderI SPECIFICALLY said that he did that to suit his
> to make a more
> entertaining film, who on earth cares?
> aware that he was aKnock off the condescending attitude. Nowhere did I
> documentary maker who had sworn a blood oath to only
> depict all the
> truths that anyone ever wrote about the latter days
> of Takeda Shingen.
> concerned that weWell, there certainly are a lot of people who justify
> are gullible enough to believe that a film is equal
> to the truth?
> If I couldn't tell the difference I'd need locking
> up.
> this, just because films are not a reliable source,True, history books have flaws, and no, we can't know
> doesn't mean that
> every history book IS, and you can't know anyway,
> because you weren't
> there, and those that were there won't necessarily
> write everything as
> it happened if it doesn't suit their purpose.
> Saying, in effect, filmNot as insulting as your willfully ignoring what I
> =lies and half truths, history book = 100% correct
> is still daft.
> Assuming that I believe every film I see to be a
> documentary is insulting.