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#7838 [2005-10-13 08:48:00]

Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawakami gensai?)

by ninaboal21044

Thanks for the interesting post about the life of Kawakami Gensai and
Masamune and Muramasa swords.

Jut one point which isn't really related to any of the above, but relates to
an earlier discussion. So I quoted just that one part of your post below.

Back in the earlier thread, we were discussing the qualities of a "good"
samurai. Some people, including myself, brought up two films, AFTER THE RAIN
and SEPPUKU. I remember discussing one of the characters in SEPPUKU who had
pawned his sword blades in order to try and feed his family. According to
some historical accounts I've read, this seemed to have happened rather
frequently during the Edo period, with impoverished ronin and sometimes
low-ranked (low-paid) clan samurai pawning their sword blades, replacing
them with bamboo.

So with the statement cited below: can it be inferred that a samurai's sword
-- and keeping it -- would be more important to a samurai's honor than
feeding his family? That it was considered better if the samurai's family
were to starve to death rather than for the samurai to ever part with his
sword? And thus a samurai who sells his sword blades, even to keep his
family alive, is acting dishonorably?

Nina

-----Original Message-----
From: samuraihistory@yahoogroups.com [mailto:samuraihistory@yahoogroups.com]
On Behalf Of raffy yanuario
Sent: Thursday, October 13, 2005 12:35 AM
To: samuraihistory@yahoogroups.com
Subject: RE: [samuraihistory] Re: hitokiri kawakami gensai?

[snips. Kawakami Gensai and his sword]


The Nihontou is considered to be the soul of Japan and it was considered to
be the soul of the Samurai, so they blade they used was respected above all
else, even their wives and family.

[Next #7840]

#7840 [2005-10-13 11:54:28]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawakami gensai?)

by federicotrejos

Good afternoon.
Nina why do you always brings this hard to answer
questions ??? jajajaja !!!
Ok, I think that it was something philosophical and
spiritual.
Some one once told me that there is two senses in life
that you can not ingnore : first one is when your
death time is getting close and second one is when you
are hungry !!! Then I understand why he brought out
his blades. Katana was considered the soul of the
samurai since it was considered what ebodied bushido.
This is interesting, a samurai think that his sword
is an extention of his body. So he consider his sword
a part of it. Besides, it was his primary weapon,
his life depends on it ( think about this carefully ).
The katana is that, a weapon !!! And the samurai
more than any one else new that.
Something funny about this is that there is anything
on the Bushido code that have to do with weapons !!!
It is a moral and correct conduct code. Then I
think that all this is a romantic tale out of some
Noh.
Now, if you tell me that a samurai fells something
special and spiritual for his sword, I will be with
you in a 100%.

Best regards.

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[Previous #7838] [Next #7845]

#7845 [2005-10-13 15:59:25]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawakami gensai?)

by johntwo8

Ha Ha u struck again Ms Boal thats an awesome question and depends on how u look at it. If we treat martial arts or life in general as living to make the lives of others better than how is there a lose in honor for n e thing of a sort of selling to help provide for ones family. However, if u wanna tie Pride and Honor together then thats totally something else.

Love, Grace, and Peace
"Boal, Nina" <Nina.Boal@...> wrote:
Thanks for the interesting post about the life of Kawakami Gensai and
Masamune and Muramasa swords.

Jut one point which isn't really related to any of the above, but relates to
an earlier discussion. So I quoted just that one part of your post below.

Back in the earlier thread, we were discussing the qualities of a "good"
samurai. Some people, including myself, brought up two films, AFTER THE RAIN
and SEPPUKU. I remember discussing one of the characters in SEPPUKU who had
pawned his sword blades in order to try and feed his family. According to
some historical accounts I've read, this seemed to have happened rather
frequently during the Edo period, with impoverished ronin and sometimes
low-ranked (low-paid) clan samurai pawning their sword blades, replacing
them with bamboo.

So with the statement cited below: can it be inferred that a samurai's sword
-- and keeping it -- would be more important to a samurai's honor than
feeding his family? That it was considered better if the samurai's family
were to starve to death rather than for the samurai to ever part with his
sword? And thus a samurai who sells his sword blades, even to keep his
family alive, is acting dishonorably?

Nina

-----Original Message-----
From: samuraihistory@yahoogroups.com [mailto:samuraihistory@yahoogroups.com]
On Behalf Of raffy yanuario
Sent: Thursday, October 13, 2005 12:35 AM
To: samuraihistory@yahoogroups.com
Subject: RE: [samuraihistory] Re: hitokiri kawakami gensai?

[snips. Kawakami Gensai and his sword]


The Nihontou is considered to be the soul of Japan and it was considered to
be the soul of the Samurai, so they blade they used was respected above all
else, even their wives and family.


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[Previous #7840] [Next #7846]

#7846 [2005-10-14 05:57:28]

Sword Is The Soul Of The Samurai?

by thomas_tessera

Hang on a minute -

The 'way' of the samurai was, traditionally, 'kyuba no michi' The Way of the Bow and the
Horse - the archetypical and classical samurai image is that of the mounted bowman.
Swordsmanship throughout this eras was rudimentary.

The image of the samurai bowman was later eclipsed by the image of the samurai
spearman, the spear being regarded as 'the' battlefield weapon up to and through the
Sengoku, until eclipsed by firearms.

The sword never played a significant part of the samurai psyche until the Edo period and
later, when it came to symbolise the 'martial way' for what was by majority a bureaucracy.
Swords then began to attain a 'value' out of all proportion to that of the past.

I regard 'the sword as the soul of the samurai' as a concept of recent history.

Samurai were not necessarily martial artists.

Martial artists were not necessarily samurai.

To assume so is to assume that all settlers in the American West were gunslingers.

The 'best' samurai will remain forever anonymous - discreet and efficient in the service of
his master (samurai is from the verb 'to serve') - it's quite possible he never saw a
battlefield, never even drew his sword in anger.

Thomas

[Previous #7845] [Next #7847]

#7847 [2005-10-14 06:16:11]

Re: [samuraihistory] Sword Is The Soul Of The Samurai?

by kentguy212002

Wise words, and the most sanity ive read in a while...

Thomas Davidson <tom.davidson@...> wrote:Hang on a minute -

The 'way' of the samurai was, traditionally, 'kyuba no michi' The Way of the Bow and the
Horse - the archetypical and classical samurai image is that of the mounted bowman.
Swordsmanship throughout this eras was rudimentary.

The image of the samurai bowman was later eclipsed by the image of the samurai
spearman, the spear being regarded as 'the' battlefield weapon up to and through the
Sengoku, until eclipsed by firearms.

The sword never played a significant part of the samurai psyche until the Edo period and
later, when it came to symbolise the 'martial way' for what was by majority a bureaucracy.
Swords then began to attain a 'value' out of all proportion to that of the past.

I regard 'the sword as the soul of the samurai' as a concept of recent history.

Samurai were not necessarily martial artists.

Martial artists were not necessarily samurai.

To assume so is to assume that all settlers in the American West were gunslingers.

The 'best' samurai will remain forever anonymous - discreet and efficient in the service of
his master (samurai is from the verb 'to serve') - it's quite possible he never saw a
battlefield, never even drew his sword in anger.

Thomas





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[Previous #7846] [Next #7849]

#7849 [2005-10-14 07:46:39]

RE: [samuraihistory] Sword Is The Soul Of The Samurai?

by ninaboal21044

Great points made here. I snipped out some of your post in the interest of
brevity and saving bandwidth.

I believe that the idea of "The Sword Is The Soul Of The Samurai" came about
during the Edo period. This was during the time of peace and various
scholars and others of the samurai class were seeking basically for a
"raison d'etre" (reason for being) for their class. Many of them began
intensive studies of various forms of bujutsu and the concept of "budo" was
born during this era. I read somewhere (not sure where I read it) that the
concept of the sword being a samurai's soul was first expressed by Tokugawa
Ieyasu after he became the Shogun, but don't hold me exactly to this.

Saying that a sword was a samurai's "soul" was designed to make him more
"spiritual," that his sword and study and preservation of budo (martial way)
was an ideal for a samurai to strive for when there was peace and no longer
any actual wars for a samurai to practice any bujutsu (martial tactics).

Needless to say, this was an idealistic view put forth. In reality, many
samurai became a lot more interested in commerce and administration than in
martial arts; the actual "soul" of the administrative samurai was more
likely to be an abacus rather than a sword. But the daisho (the two swords)
became a status symbol, a badge showing rank rather than a real "soul" so to
speak.

Then there were the struggling ronin and low-ranked, low-paid clan samurai,
most who were more concerned with surviving and feeding their families
rather than in whether their sword was their "soul" or not. These were the
ones who would likely pawn their swords and wear hidden bamboo swords. The
film SEPPUKU deals with one of these ronin who did so. This film challenges
the official, prevailing Edo-era definition of "the sword is the soul" as a
concept that has become empty and hypocritical in the face of rank
oppression and cruelty.

I believe that there were a few samurai who followed the path of "musha
shugyo" the martial journey, traveling all over the country in pursuit of
studying kendo and other budo. But they were most likely in the minority.

Nina

-----Original Message-----
From: samuraihistory@yahoogroups.com [mailto:samuraihistory@yahoogroups.com]
On Behalf Of Thomas Davidson
Sent: Friday, October 14, 2005 8:57 AM
To: samuraihistory@yahoogroups.com
Subject: [samuraihistory] Sword Is The Soul Of The Samurai?

Hang on a minute -

[snips]

The sword never played a significant part of the samurai psyche until the
Edo period and later, when it came to symbolise the 'martial way' for what
was by majority a bureaucracy.
Swords then began to attain a 'value' out of all proportion to that of the
past.

[snips]

The 'best' samurai will remain forever anonymous - discreet and efficient in
the service of his master (samurai is from the verb 'to serve') - it's quite
possible he never saw a battlefield, never even drew his sword in anger.

Thomas





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[Previous #7847] [Next #7852]

#7852 [2005-10-15 04:59:48]

Re: [samuraihistory] Sword Is The Soul Of The Samurai?

by Michael Peters

I hate me too posts but in this case.....

Thomas has the right of things and new members should read it again and take
note.


>Wise words, and the most sanity ive read in a while...
>
>Thomas Davidson <tom.davidson@...> wrote:Hang on a minute -
>
>The 'way' of the samurai was, traditionally, 'kyuba no michi' The Way of
>the Bow and the
>Horse - the archetypical and classical samurai image is that of the mounted
>bowman.
>Swordsmanship throughout this eras was rudimentary.
>
>The image of the samurai bowman was later eclipsed by the image of the
>samurai
>spearman, the spear being regarded as 'the' battlefield weapon up to and
>through the
>Sengoku, until eclipsed by firearms.
>
>The sword never played a significant part of the samurai psyche until the
>Edo period and
>later, when it came to symbolise the 'martial way' for what was by majority
>a bureaucracy.
>Swords then began to attain a 'value' out of all proportion to that of the
>past.
>
>I regard 'the sword as the soul of the samurai' as a concept of recent
>history.
>
>Samurai were not necessarily martial artists.
>
>Martial artists were not necessarily samurai.
>
>To assume so is to assume that all settlers in the American West were
>gunslingers.
>
>The 'best' samurai will remain forever anonymous - discreet and efficient
>in the service of
>his master (samurai is from the verb 'to serve') - it's quite possible he
>never saw a
>battlefield, never even drew his sword in anger.
>
>Thomas

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[Previous #7849] [Next #7853]

#7853 [2005-10-16 04:30:27]

Re: Sword Is blah, blah...

by thomas_tessera

Aw, c'mon guys -

Thanks for the compliments, but I think what I said is generally in
line with this forum. There are others here far more qualified.

What I would say however, is as soon as we start talking about
'the soul of the samurai' or 'the way of bushido' then we are
talking about something that is absent, such terms belong to the
notions of 'the good ol days' or 'the golden age of' and invariably
romanticises the reality.

"People in the old days would talk when they had something to
say, and would not say unnecessary things..."
Arai Hakuseki "My Father" (from "Legends of the Samurai')

Thomas

(I suggest we relegate the 'b' word to the same dark place as the
'n' word.)

[Previous #7852] [Next #7855]

#7855 [2005-10-16 14:12:43]

Re: [samuraihistory] Re: Sword Is blah, blah...

by ninaboal21044

In a message dated 10/16/2005 7:31:53 AM Eastern Daylight Time,
tom.davidson@... writes:

> Aw, c'mon guys -
>
> Thanks for the compliments, but I think what I said is generally in
> line with this forum. There are others here far more qualified.
>
> What I would say however, is as soon as we start talking about
> 'the soul of the samurai' or 'the way of bushido' then we are
> talking about something that is absent, such terms belong to the
> notions of 'the good ol days' or 'the golden age of' and invariably
> romanticises the reality.
>
> "People in the old days would talk when they had something to
> say, and would not say unnecessary things..."
> Arai Hakuseki "My Father" (from "Legends of the Samurai')
>

This all may very well be true. But this is the "samurai history list," which
means that it's designed to talk about "the good ol' days."

Some of these notions i.e. "the sword is the soul of the samurai," "bushido,"
etc. have gotten distorted in current times. But I don't care about these
contemporary distortions of these terms, as I want to study history here. So the
legitimate questions remain: how did these concepts affect samurai in
historical times?

Myself, I believe that the concepts came out of the Edo period, when fighting
was scarce or else non-existent. Still, samurai existed for around 250 years
during this time and their history is interesting to study.

Nina

[Previous #7853] [Next #7857]

#7857 [2005-10-16 14:59:22]

RE: [samuraihistory] Re: Sword Is blah, blah...

by keecurlee

Nina, Hey, It took some time, But I now have three swords. Just to hold the
soul of a katana in my hands, to dream about the man or person that this
sword had been with... The dreams are worth the time I had to wonder about
what the Samurai is all about... Kee (Irish) Curlee...

-----Original Message-----
From: samuraihistory@yahoogroups.com
[mailto:samuraihistory@yahoogroups.com]On Behalf Of nohit@...
Sent: Sunday, October 16, 2005 3:13 PM
To: samuraihistory@yahoogroups.com
Cc: nina.boal@...
Subject: Re: [samuraihistory] Re: Sword Is blah, blah...


In a message dated 10/16/2005 7:31:53 AM Eastern Daylight Time,
tom.davidson@... writes:

> Aw, c'mon guys -
>
> Thanks for the compliments, but I think what I said is generally in
> line with this forum. There are others here far more qualified.
>
> What I would say however, is as soon as we start talking about
> 'the soul of the samurai' or 'the way of bushido' then we are
> talking about something that is absent, such terms belong to the
> notions of 'the good ol days' or 'the golden age of' and invariably
> romanticises the reality.
>
> "People in the old days would talk when they had something to
> say, and would not say unnecessary things..."
> Arai Hakuseki "My Father" (from "Legends of the Samurai')
>

This all may very well be true. But this is the "samurai history list,"
which
means that it's designed to talk about "the good ol' days."

Some of these notions i.e. "the sword is the soul of the samurai,"
"bushido,"
etc. have gotten distorted in current times. But I don't care about these
contemporary distortions of these terms, as I want to study history here. So
the
legitimate questions remain: how did these concepts affect samurai in
historical times?

Myself, I believe that the concepts came out of the Edo period, when
fighting
was scarce or else non-existent. Still, samurai existed for around 250 years
during this time and their history is interesting to study.

Nina



---
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http://www.samurai-archives.com/writcon2.html

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[Previous #7855] [Next #7863]

#7863 [2005-10-18 01:31:08]

Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by rntihg

Hello,

I have been absent from the list for at least a year, but have decided
to see what's what here (albeit from a new email address).

I wanted to comment on the premise of Ms. Boal's questions.

--- In samuraihistory@yahoogroups.com, "Boal, Nina"
wrote:



> Back in the earlier thread, we were discussing the qualities of a "good"
> samurai. Some people, including myself, brought up two films, AFTER
THE RAIN
> and SEPPUKU. I remember discussing one of the characters in SEPPUKU
who had
> pawned his sword blades in order to try and feed his family.
According to
> some historical accounts I've read, this seemed to have happened rather
> frequently during the Edo period, with impoverished ronin and sometimes
> low-ranked (low-paid) clan samurai pawning their sword blades, replacing
> them with bamboo.

To which historical accounts are you referring? Written when? In
Japanese or English? For a popular or academic audience? Peer
reviewed (as in university and other scholarly presses)?
All of these (and many more) are the first questions one normally
would ask about sources quoted in support of any statement or
hypothesis. Without some idea of the sources that you are using, a
statement such as 'some historical accounts I've read' has an
indeterminate authority and leaves me (and I suspect others) curious
as to the accuracy that we can expect from the sources.

The next thing that I would point out is that these are just movies.
While I like Kurosawa and Tokugawa-set period pieces, I don't beleive
anyone would put much faith in their historical accuracy. That is not
to say that the things that movies depict are necessarily untrue, but
simply that they can't be relied upon as historical documents in the
same way that contemporaneous materials can.

>
> So with the statement cited below: can it be inferred that a
samurai's sword
> -- and keeping it -- would be more important to a samurai's honor than
> feeding his family? That it was considered better if the samurai's
family
> were to starve to death rather than for the samurai to ever part
with his
> sword? And thus a samurai who sells his sword blades, even to keep his
> family alive, is acting dishonorably?
>
> Nina

Another thing to keep in mind is that the stories that come down to us
throug history and are popularized in books that treat the samurai
and the concept of honor (among other things), often uncritically
choose those stories/anecdotes/legends that support the picture of the
samurai that they are trying to paint and do a poor job at addressing
alternative interpretations of the sources that do exist. I believe
that most of us have probably heard that a samurai's topknot was,
similar to the sword, sacrosanct as a badge of the privileged class to
which he belonged. If memory serves, Kurosawa in 7 Samurai, has one
of the main characters cut hit hair to impersonate a priest in order
to achieve a solution to the hostage stalemate. Who to believe, the
popular history books or Kurosawa...or are both depictions accurate.

I have been reading and trying to get caught up with the threads that
I have missed during the last year or so, that I have been absent from
the list and am enjoying the variety of topics that have come up.
Some of the recent threads in particular have piqued my curiosity, but
it seems reasonable for us to analyze the assumptions behind some of
the questions that we are asking and to be as clear as possible about
the sources that we use so that everyone has an idea as to the
relative accuracy and authority of the information.

Granted that many times we don't have our references to hand when we
are inspired to post, but even in those cases it might be nice to
follow up including the citations in a later post in the thread.

-Shannon

[Previous #7857] [Next #7867]

#7867 [2005-10-18 10:20:53]

Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by onnagozen

Not to be argumentative, but "just movies" is probably what got a lot
of us started in our interest of Japan. Some movies are plain
entertainment, nothing wrong with that. Others have been made by
someone with their own political or social agenda. Still more have
been made by people with access to research material and reflect some
kind of truth.
I am also interested to understand why you prefer archive material,
and how you are assured of its veracity. Since every contemporaneous
writer would have reflected whatever particular axe he (or his
superior) wished to grind, how are you sure that they are writing the
truth and not tweaking, spinning or slanting? I don't think spin is
anything new, it's been going on for as long as we have. Thus, any
historical piece written by someone who was there (IF you can find it)
has to be seived through, and a large pinch of salt added. If it
happened 300, 500 or 800 years ago, and there are several sources
available who contradict each other, what makes you choose one side?

Compared to most people I'm an ignoramous, but I'm not so stupid as to
believe something that is unprovable. I prefer to go with my gut
instincts, and then doubt them too! Ultimately, that's all any of us
have, a feeling that the source whose view we prefer is the one that
is correct. But we can't KNOW, so relying on it, quoting on it or
swearing on it is just plain daft. Why would you doubt that a film
maker has spent years of research in order to present his film in the
most accurate possible light?

All verions of history are fascinating, interesting and worthy of
exploration, if for no other reason than to see how opposing views
evolve. Definitive decisions about what is real and what is not is
beyond our field of expertise, and the sooner we understand that, the
sooner we stop criticising others for not toe-ing our particular party
line.



-- In samuraihistory@yahoogroups.com, "rntihg" wrote:
>
> Hello,
>
> I have been absent from the list for at least a year, but have decided
> to see what's what here (albeit from a new email address).
>
> I wanted to comment on the premise of Ms. Boal's questions.
>
> --- In samuraihistory@yahoogroups.com, "Boal, Nina"
> wrote:
>
>
>
> > Back in the earlier thread, we were discussing the qualities of a
"good"
> > samurai. Some people, including myself, brought up two films, AFTER
> THE RAIN
> > and SEPPUKU. I remember discussing one of the characters in SEPPUKU
> who had
> > pawned his sword blades in order to try and feed his family.
> According to
> > some historical accounts I've read, this seemed to have happened
rather
> > frequently during the Edo period, with impoverished ronin and
sometimes
> > low-ranked (low-paid) clan samurai pawning their sword blades,
replacing
> > them with bamboo.
>
> To which historical accounts are you referring? Written when? In
> Japanese or English? For a popular or academic audience? Peer
> reviewed (as in university and other scholarly presses)?
> All of these (and many more) are the first questions one normally
> would ask about sources quoted in support of any statement or
> hypothesis. Without some idea of the sources that you are using, a
> statement such as 'some historical accounts I've read' has an
> indeterminate authority and leaves me (and I suspect others) curious
> as to the accuracy that we can expect from the sources.
>
> The next thing that I would point out is that these are just movies.
> While I like Kurosawa and Tokugawa-set period pieces, I don't beleive
> anyone would put much faith in their historical accuracy. That is not
> to say that the things that movies depict are necessarily untrue, but
> simply that they can't be relied upon as historical documents in the
> same way that contemporaneous materials can.
>
> >
> > So with the statement cited below: can it be inferred that a
> samurai's sword
> > -- and keeping it -- would be more important to a samurai's honor than
> > feeding his family? That it was considered better if the samurai's
> family
> > were to starve to death rather than for the samurai to ever part
> with his
> > sword? And thus a samurai who sells his sword blades, even to keep his
> > family alive, is acting dishonorably?
> >
> > Nina
>
> Another thing to keep in mind is that the stories that come down to us
> throug history and are popularized in books that treat the samurai
> and the concept of honor (among other things), often uncritically
> choose those stories/anecdotes/legends that support the picture of the
> samurai that they are trying to paint and do a poor job at addressing
> alternative interpretations of the sources that do exist. I believe
> that most of us have probably heard that a samurai's topknot was,
> similar to the sword, sacrosanct as a badge of the privileged class to
> which he belonged. If memory serves, Kurosawa in 7 Samurai, has one
> of the main characters cut hit hair to impersonate a priest in order
> to achieve a solution to the hostage stalemate. Who to believe, the
> popular history books or Kurosawa...or are both depictions accurate.
>
> I have been reading and trying to get caught up with the threads that
> I have missed during the last year or so, that I have been absent from
> the list and am enjoying the variety of topics that have come up.
> Some of the recent threads in particular have piqued my curiosity, but
> it seems reasonable for us to analyze the assumptions behind some of
> the questions that we are asking and to be as clear as possible about
> the sources that we use so that everyone has an idea as to the
> relative accuracy and authority of the information.
>
> Granted that many times we don't have our references to hand when we
> are inspired to post, but even in those cases it might be nice to
> follow up including the citations in a later post in the thread.
>
> -Shannon
>

[Previous #7863] [Next #7868]

#7868 [2005-10-18 16:14:43]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by ltdomer98

--- onnagozen <gozen@...> wrote:

> Why would you
> doubt that a film
> maker has spent years of research in order to
> present his film in the
> most accurate possible light?


Because film is inherently about entertainment, and
therefore ticket sales, not about accuracy. Even
Kurosawa doesn't try to do everything
"accurately"--his depiction of Nagashino in
"Kagemusha" is nowhere near accurate. It's all for
dramatic effect, though, which suits his purpose. Is
that morally wrong? No. However, we should recognize
fiction for fiction, and not place too much faith in
its historical accuracy.



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#7869 [2005-10-18 18:59:05]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by johntwo8

Dear any one the greatest of all hitokiri was Izo Okada. Well they all did very interesting things to make Japan a better place. Right??? I think so I Love Japan.

Love, Grace, and Peace

Nate Ledbetter <ltdomer98@...> wrote:


--- onnagozen <gozen@...> wrote:

> Why would you
> doubt that a film
> maker has spent years of research in order to
> present his film in the
> most accurate possible light?


Because film is inherently about entertainment, and
therefore ticket sales, not about accuracy. Even
Kurosawa doesn't try to do everything
"accurately"--his depiction of Nagashino in
"Kagemusha" is nowhere near accurate. It's all for
dramatic effect, though, which suits his purpose. Is
that morally wrong? No. However, we should recognize
fiction for fiction, and not place too much faith in
its historical accuracy.



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#7870 [2005-10-18 22:58:51]

Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by onnagozen

Quote:Because film is inherently about entertainment, and
> therefore ticket sales, not about accuracy

Some films are, some film makers only care about the next buck. Not
all films outside of Hollywood are made that cynically, or are you
making a sweeping generalisation here? And what is wrong with
entertainment if it gives you a stepping stone into learning more?
And how does something that inspires an interest, like a good film
does, automatically become suspect? And how do you know (and I mean
KNOW, without any doubt) that the historical things you read are
accurate and truthful and not slanted to suit the political agenda of
the writer. How many documentaries have you seen where they get the
basic, fundamental things wrong and the narrator can't even pronounce
simple things correctly? How many books about a specific subject have
you read, and then found another with an opposing view? Does any of
this really matter, unless you want to think of yourself as an
"expert" or a definitive source of knowledge? And finally, since we
are all capable of telling the difference between a film made for pure
entertainment and one made with loftier ideals, isn't turning your
nose up at all films a bit pointless?

Whether Kurosawa used poetic licence or not in order to make a more
entertaining film, who on earth cares? I wasn't aware that he was a
documentary maker who had sworn a blood oath to only depict all the
truths that anyone ever wrote about the latter days of Takeda Shingen.
I've seen any number of films about Shingen, all of them give you a
different viewpoint, most are entertaining too. What's the bet that
most books about him have just as many viewpoints but slightly less
entertainment value. Why does it matter? Are you concerned that we
are gullible enough to believe that a film is equal to the truth?
If I couldn't tell the difference I'd need locking up. My point is
this, just because films are not a reliable source, doesn't mean that
every history book IS, and you can't know anyway, because you weren't
there, and those that were there won't necessarily write everything as
it happened if it doesn't suit their purpose. Saying, in effect, film
=lies and half truths, history book = 100% correct is still daft.
Assuming that I believe every film I see to be a documentary is insulting.

--- In samuraihistory@yahoogroups.com, Nate Ledbetter
wrote:

> Because film is inherently about entertainment, and
> therefore ticket sales, not about accuracy. Even
> Kurosawa doesn't try to do everything
> "accurately"--his depiction of Nagashino in
> "Kagemusha" is nowhere near accurate. It's all for
> dramatic effect, though, which suits his purpose. Is
> that morally wrong? No. However, we should recognize
> fiction for fiction, and not place too much faith in
> its historical accuracy.
>
>
>
> __________________________________
> Yahoo! Music Unlimited
> Access over 1 million songs. Try it free.
> http://music.yahoo.com/unlimited/
>

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#7873 [2005-10-19 16:33:34]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by ltdomer98

--- onnagozen <gozen@...> wrote:

And what is
> wrong with
> entertainment if it gives you a stepping stone into
> learning more?

Um, nothing. And nothing I said indicated such.

> And how does something that inspires an interest,
> like a good film
> does, automatically become suspect?

Fiction is fiction. It may be good, inspiring fiction,
but the focus is to tell a story, not elucidate facts.
I fail to see how you are getting the impression that
I think that is a bad thing--I'm not saying it is.


And how do you
> know (and I mean
> KNOW, without any doubt) that the historical things
> you read are
> accurate and truthful and not slanted to suit the
> political agenda of
> the writer.

That's why you read multiple sources and compare them.
The difference here is intent--a film maker's goal
isn't historical accuracy--it's to tell the story he
wants to tell, and elicit a certain reaction from an
audience. Again, there is nothing wrong with that--but
99.9% of the time in conflicts with simply presenting
facts as is.

And
> finally, since we
> are all capable of telling the difference between a
> film made for pure
> entertainment and one made with loftier ideals,
> isn't turning your
> nose up at all films a bit pointless?

AGAIN, I'm not turning my nose up at all films. And
are we all capable of telling the difference? I think
not. Stick around for a while, and you'll see plenty
of people who come here, believing that what they see
in movies is real. You have no idea how many people we
get here that think that because they saw it on
Rurouni Kenshin, it must be true. I seriously
challenge the premise that "we are all capable of
telling the difference", because it's consistently
proven here that many people cannot.

> Whether Kurosawa used poetic licence or not in order
> to make a more
> entertaining film, who on earth cares?

I SPECIFICALLY said that he did that to suit his
purpose--and that's fine. If you watch Kagemusha in
order to see an entertaining and moving film, you'll
be satisfied. If you're looking for an accurate
depiction of the battle of Nagashino, you will come
away with mistaken impressions.

I wasn't
> aware that he was a
> documentary maker who had sworn a blood oath to only
> depict all the
> truths that anyone ever wrote about the latter days
> of Takeda Shingen.

Knock off the condescending attitude. Nowhere did I
ever imply the above, much less say it. Kurosawa was a
fabulous filmmaker who made wonderful movies. However,
he WASN'T a documentary maker--that's my entire point.
Accuracy in details was something he was very good
at--costuming, etc. However, accurate reflection of
historical events wasn't his desire. As I've said for
the 400th time, there's nothing wrong with that. I was
simply using him as an example--he created works of
fiction. If people take them as historical
representations, which, as stated above, many people
mistakenly take genre fiction to be, they will be
accepting as fact things that are not facts at all.

Are you
> concerned that we
> are gullible enough to believe that a film is equal
> to the truth?
> If I couldn't tell the difference I'd need locking
> up.

Well, there certainly are a lot of people who justify
that concern. Do you wish to call the police for them
to be locked up, or should I?

My point is
> this, just because films are not a reliable source,
> doesn't mean that
> every history book IS, and you can't know anyway,
> because you weren't
> there, and those that were there won't necessarily
> write everything as
> it happened if it doesn't suit their purpose.

True, history books have flaws, and no, we can't know
if every one is exactly right because we weren't
there. However, that doesn't mean that fiction is just
as correct as non-fiction. That's why you read
multiple sources and evaluate the credibility of each.
Your argument is philosphical sophistry--errors in
history books do NOT mean that fictional accounts are
just as correct.

> Saying, in effect, film
> =lies and half truths, history book = 100% correct
> is still daft.
> Assuming that I believe every film I see to be a
> documentary is insulting.

Not as insulting as your willfully ignoring what I
actually wrote, or your condescending attitude. Not
very smart to direct that at a list moderator. As I
said, plenty of people come onto this site believing
that what they see in movies, fictional books, anime,
manga, etc. is historical fact. Nowhere did I say that
history books were 100% correct--the point is, their
purpose is to try to be correct, whereas fiction's
purpose isn't to be, it's to entertain.



__________________________________
Yahoo! Music Unlimited
Access over 1 million songs. Try it free.
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[Previous #7870] [Next #7877]

#7877 [2005-10-19 18:09:03]

Re: Sword Is The Soul Of The Samurai? (was RE: [samuraihistory] Re: h itokiri kawaka

by johntwo8

This is true hmm. But some people on Kenshin are based on real life characters like Saito Hajime.

Love, Grace, and Peace

Nate Ledbetter <ltdomer98@...> wrote:


--- onnagozen <gozen@...> wrote:

And what is
> wrong with
> entertainment if it gives you a stepping stone into
> learning more?

Um, nothing. And nothing I said indicated such.

> And how does something that inspires an interest,
> like a good film
> does, automatically become suspect?

Fiction is fiction. It may be good, inspiring fiction,
but the focus is to tell a story, not elucidate facts.
I fail to see how you are getting the impression that
I think that is a bad thing--I'm not saying it is.


And how do you
> know (and I mean
> KNOW, without any doubt) that the historical things
> you read are
> accurate and truthful and not slanted to suit the
> political agenda of
> the writer.

That's why you read multiple sources and compare them.
The difference here is intent--a film maker's goal
isn't historical accuracy--it's to tell the story he
wants to tell, and elicit a certain reaction from an
audience. Again, there is nothing wrong with that--but
99.9% of the time in conflicts with simply presenting
facts as is.

And
> finally, since we
> are all capable of telling the difference between a
> film made for pure
> entertainment and one made with loftier ideals,
> isn't turning your
> nose up at all films a bit pointless?

AGAIN, I'm not turning my nose up at all films. And
are we all capable of telling the difference? I think
not. Stick around for a while, and you'll see plenty
of people who come here, believing that what they see
in movies is real. You have no idea how many people we
get here that think that because they saw it on
Rurouni Kenshin, it must be true. I seriously
challenge the premise that "we are all capable of
telling the difference", because it's consistently
proven here that many people cannot.

> Whether Kurosawa used poetic licence or not in order
> to make a more
> entertaining film, who on earth cares?

I SPECIFICALLY said that he did that to suit his
purpose--and that's fine. If you watch Kagemusha in
order to see an entertaining and moving film, you'll
be satisfied. If you're looking for an accurate
depiction of the battle of Nagashino, you will come
away with mistaken impressions.

I wasn't
> aware that he was a
> documentary maker who had sworn a blood oath to only
> depict all the
> truths that anyone ever wrote about the latter days
> of Takeda Shingen.

Knock off the condescending attitude. Nowhere did I
ever imply the above, much less say it. Kurosawa was a
fabulous filmmaker who made wonderful movies. However,
he WASN'T a documentary maker--that's my entire point.
Accuracy in details was something he was very good
at--costuming, etc. However, accurate reflection of
historical events wasn't his desire. As I've said for
the 400th time, there's nothing wrong with that. I was
simply using him as an example--he created works of
fiction. If people take them as historical
representations, which, as stated above, many people
mistakenly take genre fiction to be, they will be
accepting as fact things that are not facts at all.

Are you
> concerned that we
> are gullible enough to believe that a film is equal
> to the truth?
> If I couldn't tell the difference I'd need locking
> up.

Well, there certainly are a lot of people who justify
that concern. Do you wish to call the police for them
to be locked up, or should I?

My point is
> this, just because films are not a reliable source,
> doesn't mean that
> every history book IS, and you can't know anyway,
> because you weren't
> there, and those that were there won't necessarily
> write everything as
> it happened if it doesn't suit their purpose.

True, history books have flaws, and no, we can't know
if every one is exactly right because we weren't
there. However, that doesn't mean that fiction is just
as correct as non-fiction. That's why you read
multiple sources and evaluate the credibility of each.
Your argument is philosphical sophistry--errors in
history books do NOT mean that fictional accounts are
just as correct.

> Saying, in effect, film
> =lies and half truths, history book = 100% correct
> is still daft.
> Assuming that I believe every film I see to be a
> documentary is insulting.

Not as insulting as your willfully ignoring what I
actually wrote, or your condescending attitude. Not
very smart to direct that at a list moderator. As I
said, plenty of people come onto this site believing
that what they see in movies, fictional books, anime,
manga, etc. is historical fact. Nowhere did I say that
history books were 100% correct--the point is, their
purpose is to try to be correct, whereas fiction's
purpose isn't to be, it's to entertain.



__________________________________
Yahoo! Music Unlimited
Access over 1 million songs. Try it free.
http://music.yahoo.com/unlimited/


---
Join the 2006 Samurai Fiction contest:
http://www.samurai-archives.com/writcon2.html

Samurai Archives: http://www.samurai-archives.com
Samurai Archives store: http://www.cafeshops.com/samuraiarchives
---



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